Showing posts with label design. Show all posts
Showing posts with label design. Show all posts

Friday

Introducing Handmade Edinburgh



Following the success of our Handmade at Kew and well-known Chelsea exhibitions, Handmade in Britain will be heading to Scotland to showcase some of the UK’s most exquisite makers within the countries capital city for the first time. Supported by Craft Scotland, this highly anticipated event will feature some of the finest jewellery, ceramics, textiles, metalwork and furniture produced by makers from across the country. Launching this October, the first edition of Handmade Edinburgh will take place within one of Edinburgh’s iconic historical locations, The Hub, ideal for our signature shows. The event will take place across three days, and individuals will have the chance to accumulate authentic handmade pieces crafted by our personally selected makers. Here at Handmade we are incredibly excited to be heading to Scotland to host a new selection of extremely talented makers in our first of many Handmade Edinburgh exhibitions.


Jewellery at Handmade Edinburgh

Rogue LobsterJewellery: For the unique 
For those looking for something unique and slightly quirky then Rogue Lobster’s range of nature inspired jewellery is a perfect choice for you. This revolutionary Captain Claud bracelet featuring a detailed silver lobster transforms the classic bangle making it an innovative and exciting jewellery essential for those who wish to stand out in a crowd. 

Emma Wile Jewellery- For the low key

For those who prefer a simple yet elegant style Emma Wile’s jewellery would best suit you. This hollow ring features no jewels or colour, yet its modest design oozes elegance and style without being too overpowering. Made from sterling silver this handcrafted hollow ring would be the perfect everyday accessory as its simple clean cut design would complement and adapt to any occasion.

Fiona Luing - For the magpie

For those who are drawn to and admire colour within their jewellery collection Fiona Luing’s pieces would be applicable to you, Fiona combines vibrant jewels and a mixture of colours in order to make eye-catching pieces suitable for most occasions. This Opal garnet pendant featuring a captivating multi coloured core exudes sophistication whilst its colours compliment one and other in accord. This enchanting piece would team nicely with an elegant evening attire. 

Banu Oyman- For making a statement

 For those wanting to make a statement with a bold accessory Banu Oyman’s beadwork would be best appealing to you. Banu’s handcrafted pieces made from textured multi coloured beads are perfect for those wanting unique statement jewellery. This multi tone beaded necklace featuring an intricate pattern detail is the perfect solution to a bland outfit needing a little something to boost its appeal.

Essemege -For the modern

For those who appreciate a more contemporary style of jewellery Essemge’s modern assortment of graphic jewellery is inevitable the choice for you. Essemge’s fresh stylish designs are perfect for those who wish to move away from traditional classic styles, these handcrafted bracelets are simple yet stylish for a modern approach to accessorising.  



Monday

It's back! Handmade in Britain return to Kew Gardens

Applications now open...


Welcome to the second edition of Handmade at Kew at the iconic Royal Botanic Gardens, Kew! The craft event will take place from Thursday 6th October to Sunday 9th October 2016.

Handmade at Kew welcomes online applications from contemporary craft makers working in the following disciplines: furniture, metal, ceramics, glass, jewellery, textiles, woodwork, paper and sculpture.


Apply now for Handmade at Kew


Over 7,500 visitors...


The inaugural year of Handmade at Kew in 2015 drew a fantastic response, with both visitors and makers praising the exceptional standard, variety and innovation of the event and the work on show, alongside appreciation for the ideal setting and warm and buzzing atmosphere.

For the first year of the show, footfall was high with over 7,500 visitors attending over the four days of the show and the Private View evening. 



Makers across all disciplines welcome to apply



The leading showcase for Craft...


Handmade at Kew is set to become the leading international showcase for contemporary craft. The event is highly consumer orientated and enables visitors to view, buy or commission their perfect piece and take it home with them.

Please see our Application Pack for more information about the event and how to apply, available on our website or as a download here. Please note that the deadline for applications is 31st March 2016


Apply online now: handmadeinbritain.co.uk/kew


Thursday

New Graduate Showcase

Handmade in Britain is collaborating with Arts Thread this year for the New Graduate Showcase at the Appreciating British Craftsmanship: The Annual Contemporary Crafts & Design Fair.

Arts Thread is a company that offers the opportunity to promote an individual's own artwork to a Global audience, so naturally this collaboration is perfect for the show and the designers who have recently graduated from university and are attempting to spread awareness of their work.  

The New Graduate Showcase will display upcoming designer items in the show. It aims to celebrate new talent, and invites the viewer to meet designers at the very start of their career. The team at Arts Thread have carefully selected the brightest new talent in fashion and interiors to present their work in a dedicated gallery area in what for many will be their first professional show. 


The New Graduates' work that will be displayed includes the following designers: 


. Aimee Bollu ceramics

Aimee graduated from Nottingham Trent University with a First Class Honours degree in Decorative Arts and continues to work from her studio at Backlit in Nottingham. She is a collector, a gatherer, an arranger of the things people have discarded and forgotten. She seeks out objects that have fallen out of use, out of society, and revives them. 

Through the creation of hybrid objects, incorporating these found elements and newly made vessel forms, the disregarded items become meaningful once more, and possess a new value.




. Boky Lee jewellery 

BOKY is a jewellery designer and maker who grew up in Korea and is now based in London. She finished a MA in Jewellery and Metal at the Royal College of Art in 2015, having previously graduated from Seoul National University of Science and Technology in 2013 BA in Metal Art and Design.
She designs wearable, classy and witty jewellery and she also aims for her pieces to have different functions. She is mostly inspired by structural shapes such as architecture or organised objects. 




. Cheryl Van Goethem metal

Through experimentation Cheryl has developed a method of enamelling onto industrial steel pipes using vitreous enamel in an original and contemporary style. She uses liquid enamel combined with mark-making to express the sounds of the natural environment and recreate a sense of place and the passage of time.




. Francesca Bea ACFD Designs textile design

ACFD Designs is a sustainable fashion and textiles brand creating one off luxury silk scarves.
Each lovingly made in Britain using an arduous natural rust dyeing method these luxurious pieces are impossible to create identically meaning every piece is completely unique and individual.

ACFD Designs is grounded in principals of high quality design, home grown British craftsmanship and a global responsibility from the fabric sourced to the natural dyeing process. 
Established at the end of 2014, ACFD Designs is a British start up company established after Francesca completed a Masters in Textiles Design.




. Joanna Bury jewellery 

Joanna studied for a BA in Fashion Design and went on to specialise as a Lingerie Designer; she worked in the industry for 7 years primarily based in the UK, China and New York. After discovering the Silversmithing and Jewellery degree Joanna relocated from New York to Cornwall to take up full time studies and complete the degree.

“I am currently working on the concept that a piece of jewellery can be treated like a removable tattoo, worn to adorn and easily removed. Most of the design details are inspired by tattoo designs and so the pattern is effectively projected onto the skin, or patterns can be projected through the reflection of light or a shadow cast”.  




. Judy McKenzie ceramics

Judy describes herself as having a passion for ceramics as a medium for self-expression and creative fulfilment, and a love for the manipulation of the addictive raw material. Her studies have allowed her to refocus and discover a new direction to my making.
My hand-built forms are serene and still. They possess a contained energy, which contrasts dramatically with the dynamic force created by the sideways application of the porcelain slips and glazes, a process of decoration requiring further investigation and study. My current body of work is a collection of hand built, non-functional, porous vessels. I have concentrated on form and volume, and investigated methods of construction. I have experimented with surface treatment, and how the materiality of the clay can add an extra dimension and interest to a form. This is a work in progress. I continue to investigate and expand on my collection, working at a larger scale than I have previously achieved, employing untried techniques and processes.






. Laura Murphy ceramics

In October 2014,  Laura completed her Masters in Design and Applied Art, specialising in Ceramics, at the University of Wolverhampton. Having left a career in medical publishing to pursue ceramics full-time, this period of study has been invaluable in honing my skills and developing the ideas and concepts behind the work. 

A period working as an Artist in Residence and assisting in the gallery at Torquil Pottery in Henley-in-Arden has been hugely beneficial to my practice and she currently works from my own studio space near her home in Birmingham. 






. Laura Scott Design jewellery


Laura describes herself as a maker and she is quite instinctive in her style of working. She chooses the materials and techniques to suit the work she is doing rather than sticking to one material or skill, so she is constantly learning. 
Laura's work tends to be jewellery based because of the way jewellery can be a very diverse medium. There is no limit to the materials and forms it can take and it is perfect for communicating a story or message as it has been used for thousands of years in communicating something about the wearer.




. Sophie Warringham jewellery 

Sophie is graduated jeweller from the Glasgow School of Art who finds her inspiration in colour and patterns, in particular shades of blue that have a light and translucent quality. She often looks to the sea and sky as she has an interest in the forms that they naturally produce. Sophie likes to manipulate the layers of these forms to build up textures and depth to both the colours and patterns within her work. Sophie’s interest in colour influences her use of enamel, using a combination of traditional and experimental ways of applying the enamel to metal to create her own style of contemporary enamelling. In order to create a light transparency to her work Sophie not only uses enamel on precious metals but she also combines this with resins and plastics to build up intensity to many layers to the depth of colour and pattern.





. Young-Ran Lee ceramics 

Young's work represents to himself a way of reaching down into his ancestral origin. He transforms his inspiration into contemporary vision finding suggestions even in the degraded suburbia and metropolitan environments.

His work is a result of the synthesis between "Primitivism" intended as an immersion in his ethnic origin and "Minimalism" that can be seen as a formal simplification which I express through the process of making in the gestural and intuitive way, focused on diversity, contrast and otherness adopting elemental shapes. Young's current work is based on wheel thrown and hand built using St.Thomas stoneware and Black textured stoneware clay.


Wednesday

Final few days to apply...



Don't miss this fantastic opportunity to exhibit as part of the Handmade in Britain group stand at Vivre Côté Sud, France in June 2015. The deadline for all applications is
Saturday 31st January.

Handmade in Britain are offering the unique opportunity to apply to exhibit as part of a group stand at the Vivre Côté Sud Fair. Applications are now invited from designer–makers of contemporary craft, who produce their work in England, Scotland, Wales and Northern Ireland. We accept applications from most disciplines across fashion and interiors - please check the application pack for details.

This prestigious open-air event in Aix-en-Provence, a town rich in cultural and architectural heritage is the PERFECT opportunity for makers looking to explore international markets. With 23,000+ trade and retail visitors over four days, this is an opportunity NOT to be missed!

For more information and how to apply, please download our application pack here.

Thursday

Call for Applications for Côté Sud 2015




Handmade in Britain are thrilled to announce a brand new international opportunity to exhibit as part of a group stand at Vivre Côté Sud, France in June 2015.

This prestigious open-air event in Aix-en-Provence, a town rich in cultural and architectural heritage is the perfect opportunity for makers looking to explore international markets. With 23,000+ trade and retail visitors over four days, this is an opportunity really not to be missed!

Applications are welcome from makers who produce their work in England, Scotland, Wales & Northern Ireland, and who work in the following disciplines: Fashion design & accessories, Interior design & accessories, glass, textiles, furniture, stationery, metalwork, ceramics, furniture, sculpture, woodwork, prints and etchings.

Apply online now: http://www.handmadeinbritain.co.uk/other-projects/cote-sud-2015/

Wednesday

Introducing our supporters...

We are very pleased to introduce our partners and supporters for
Handmade in Britain 14: The Contemporary Crafts & Design Fair






Friday

Welcome to The Contemporary Crafts & Design Fair

Join us this Winter at The Contemporary Crafts & Design Fair, a celebration of British design and craftsmanship, and a unique luxury shopping experience for the festive season.


Handmade in Britain 14 features designer-makers showing the very best of contemporary British design and craft from all disciplines across fashion and interiors including glass, ceramics, millinery, textiles, jewellery, furniture and silver.

To see the full list of over 100 designer-makers, see our website here.

Everything exhibited is available for purchase or take the opportunity to commission directly from the artist - a unique chance to explore the inspirations and processes behind your favourite pieces.

For more information, including opening times and visitor info, see our Handmade in Britain 14 pages here


Venue

Chelsea Old Town Hall, London SW3 5EE

The historic and beautiful Chelsea Old Town Hall has been the perfect backdrop to Handmade in Britain’s events since 2007.  

For more information on Chelsea Old Town Hall, please visit the Royal Borough of Kensington and Chelsea website.  







Tickets on sale now!

Handmade in Britain 14
The Contemporary Crafts & Design Fair
14th - 16th November 2014
Chelsea Old Town Hall, London

Handmade in Britain 14 is open:
Friday 14th: 11:00 - 19:00
Saturday 15th: 11:00 - 18:00
Sunday 16th: 11:00 - 18:00
Tickets are available online now at £7
Tickets on the door are £10/£7 conc.

For updates about Handmade in Britain 14: The Contemporary Crafts & Design Fair follow #Chelsea14 and keep an eye on our blog for highlights and features.

Thursday

Presenting Handmade in Britain 14 at Chelsea Old Town Hall

Handmade in Britain returns to Chelsea Old Town Hall this November for the 8th year of The Contemporary Crafts & Design Fair!



14th-16th November | Chelsea Old Town Hall, London



This Christmas season over 100 UK based designer-makers will showcase the best of contemporary fine crafts in all disciplines across fashion and Interiors over three days at the historic and beautiful Chelsea Old Town Hall.

The show is an inspiring alternative to the high street and a unique opportunity to browse exceptional crafts, buy unique and handmade gifts or commission a bespoke piece of work.  This is a luxury shopping experience with added value, a very special chance to buy directly from the makers and discover the inspirations and processes behind the work of Britain’s most skilled craftspeople.


Handmade in Britain 14: The Contemporary Crafts & Design Fair offers a unique opportunity to explore British contemporary crafts in a showcase of innovative design alongside exceptional craftsmanship presenting a rich variety of form, function and style…



Handmade in Britain 14
14th - 16th November 2014
Chelsea Old Town Hall, London

Handmade in Britain 14 is open:
Friday 14th: 11:00 - 19:00
Saturday 15th: 11:00 - 18:00
Sunday 16th: 11:00 - 18:00

Tickets are available online now at £7
Tickets on the door are £10/£7 conc.

Wednesday

Spring Edition 2014 : Highlights

With our first ever Spring Edition done and dusted and the November show already twinkling on the horizon, we cast a look back at our highlights of our first ever spring showcase


Over three days Spring Edition encapsulated the very best of British Design and craftsmanship, from contemporary ceramics and the ancient art of marquetry to our new graduate showcase highlighting the finest new millinery designers from around the UK. 

After a fantastic few days of design we have had the opportunity to reflect on some of the highlights from Spring Edition 2014 and achievements of some of our best exhibitors, for whom commissions are rolling in and are busy developing work for our November showcase.

But the work doesn't stop for the designer-makers, this week sees fine jeweler and Spring Edition favourite, Kristjan Eyjolffson, presenting his design for an Iris Thor pin for the Chelsea Flower Show Gala Preview- hand crafted by Kristjan especially from recycled silver and sustainably sourced precious stones, and serving as an example of just one of the many successes achieved by this years exhibitors, a delight to see them succeeding in and beyond Spring Edition! Congratulations Kristjan!

Helen Chatterton's map-print scarves 
The Sunday Times' own Katrina Burroughs picked out the industrial beauty of Offkut's reclaimed and reworked furniture and lighting, as a personal highlight, and got us thinking about our own... from the best of British glass, textiles and metalwork, this was no mean feat!

An undeniable standout, the jewellery work of Jed Green draws interest in its ability to disarm the viewer. Appearing like stone constellations, sturdy and robust, her glass bangles and brooches recalling constellations, are in fact feather-light structures both wearable and distinct in style.



















In our main hall we were lucky enough to have the presence of two of Scotland's very best jewellers and silver-smith's in the shared stand of Eileen Gatt and Gilly Langton, encapsulating both the essence of spring and the influences of their highland homes in their work.


The tranquil ceramics of Elizabeth Renton stood out amongst the crowds in their glazes of delicate greens and creams

In stark contrast the bold designs and bright printed silks of Taisir Gibreel brightened the Chelsea Old Town Hall with their geometric shapes and Sudanese influences


Spanning such a wide range of practices and disciplines Spring Edition captured not only a flavour of Spring, but brought together designers from all over the British Isles, gathered under the roof of the Chelsea Old Town Hall to celebrate craftsmanship and skill.

If you visited Spring Edition, why not share your thoughts, images and highlights with us via Twitter or Facebook? #SpringEdition


@handmadebritain
www.facebook.com/handmadeinbritain



Handmade in Britain 2014
The Contemporary Craft and Design Fair
14th - 16th November 2014 
Chelsea Old Town Hall London

Now in its 8th year, our annual winter event returns to Chelsea this November to showcase fine, contemporary work from 100 designer-makers.

Information regarding the show and tickets will be available in the autumn.

Monday

New Graduate Showcase: Spring Edition and Beyond

As part of our support of fresh talent, we offer  graduates the chance to exhibit their work in our New Graduate Showcase at selected events. We take a look at this year's New Graduate exhibitors and cast a look back with Anna Byers, who exhibited in 2013 and is back again as a fully-fledged exhibitor for Spring Edition 2014...


Emerging Milliners

At Handmade in Britain new graduate designer makers display their work in a dedicated gallery area for the duration of the exhibition. In addition, each designer maker is given the opportunity to attend a specialised workshop with Handmade in Britain’s Creative Director Piyush Suri, aimed at preparing the designer maker for the show and offering invaluable business advice to support their future careers.
The graduates selected to exhibit at this year's Handmade in Britain: Spring Edition have completed the Higher National Certificate or HND in Millinery at Kensington and Chelsea College within the last four years and are emerging designers in their own right. Showcasing a broad variety of skills and styles, our five emerging milliners encapsulate the very best in their field...


Beth Simpson – Lady Go Red (HNC Millinery 2010, HND Millinery 2012) 
Lady Go Red was founded in London in 2012 and is a forward looking headwear label with a firm belief in craft, process and tradition. Beth Simpson is the designer behind it. She has been a finalist in The Hat Magazine’s Designer of the Year for the past three years, twice exhibiting her work at the Who’s Next trade show in Paris.ladygored.wordpress.com

Martine Henry (HNC Millinery 2013)
Martine primarily likes to work with natural materials. She is interested in taking traditional craft techniques from outside millinery and using them to create her hats. During her time at Kensington and Chelsea she was awarded 2nd place in the Feltmakers’ Design Award. 


Sophie Beale (HNC Millinery 2011)
The creation of space and lightness are at the heart of Sophie Beale’s design aesthetic, over laid with synthesis of texture/depth, intricacy/simplicity, structure/fluidity, innovation/wearability. Winner of various awards and with experience working with a selection of iconic Milliners, her own brand is now sold internationally with a growing list of high profile clients. Bespoke commissions and collaborations available.

Iona Montgomery (HNC Millinery 2013)
London-based milliner Iona Montgomery specialises in ladies occasion wear, designing and making bespoke hats and headdresses as well as selling her unique ready-to-wear collections. ‘Sculptural femininity, Parisian sophistication’ is at the heart of Iona’s designs, representing ethereal luxury and delicate drama for the lady who wants to stand head and shoulders above the rest.

Mary Franck (HNC Millinery 2011)
Established in July 2011, Mary Franck is a young brand which won instant professional recognition. In July 2012, Mary was awarded second price in at Hat Designer of the Year, competing against a strong field of designers. This international competition, with entries from over 60 countries, is sponsored by The Hat Magazine and Premiere Classe. Mary practises from her East London studio, designing and making seasonal collection and working on private commissions.

Anna Byers


Anna Byer's was one of the finalists for the British Jeweller’s Association’s ‘Newcomer of the Year’ Award for 2013, having completed an MA in Jewellery Design at The Cass. Her statement jewellery is characterised by a bold, geometric style, influenced by her time spent living and working in Jerusalem, where she studied Hebrew, and worked in the studio of a jeweller.


Having exhibited as part of Handmade in Britain’s new graduate showcase in November 2013, her work features silver, gold vermeil and semi-precious stones, as well as perspex, stainless steel and black ruthenium plating.  


What was it about the Handmade show that drew you in as a Graduate?
'I always knew I wanted to exhibit at Handmade in Britain, because the standard of craftsmanship is so good, and there is always such beautiful work on show, that I think the show has gained an excellent reputation. Chelsea Town Hall is a beautiful setting, the location on the Kings Road attracts discerning and affluent customers, and the timing of that particular show, Handmade in Britain 13, in the run up to Christmas, was perfect!'
How did the workshops, mentoring and support provided help you to develop and learn, going into your first year as a new-graduate designer?
 'We all got together for coffee with Piyush, the show's director, a couple of months before the show, and we all had to bring examples of our work along. We discussed manufacturing processes and pricing structures, and how to get the most out of the exhibition. We learned some really useful things to help us launch our businesses. For me, the part about pricing was really interesting. Prior to that I had thought that I had it all figured out, but actually I learned some really useful things that influenced the way I now price my work.'

What about the Graduate Show that you were a part of last year did you find specifically helpful to your experience?
'I really enjoyed sharing the space with the four other graduate designers. We all got on really well, which made the experience really enjoyable, but I think we all learned from each other as well, as we spent four days together discussing the ins and outs of selling your work! I also really liked the size of the stand, and location that we were given. It was nice to be on the stage, we had a great view of the rest of the show. (And the rest of the show had a great view of us, which I think helped us quite a bit!)'

As you’re back again for Spring Edition, can you see improvements to your approach in the run-up to this year’s show in comparison to your first experience last year?  
'This time round, I have more of an idea of which pieces to bring! I always find it quite difficult deciding how many of each piece to make because it's hard to know what will sell. Last time, I ended up bringing one of everything. Now, I know which pieces I can expect to sell more of, so that has helped me prepare.  I also have some more ideas of how to set up my stand, and display my work, so I am feeling more prepared!'  

To find out more about Anna Byer's work head to: 

annabyers.com

www.facebook.com/AnnaByersJewellery

@Anna_J_Byers

To find out more about exhibiting in our November showcase as a new graduate, for membership and mentoring enquiries please email us at:

enquiries@handmadeinbritain.co.uk

Spring Edition is fast upon us! All the featured designer-makers in our blog posts will be exhibiting with us at Chelsea Old Town Hall. To find out more about the event, and book tickets head to: handmadeinbritain

Tickets now on sale


Handmade in Britain 14:
Spring Edition
The Contemporary Crafts & Design Fair
9th - 11th May 2014
Chelsea Old Town Hall, London

Spring Edition is open:
Friday 9th: 11:00 - 19:00
Saturday 10th: 11:00 - 18:00
Sunday 11th: 11:00 - 18:00
Tickets are available online now at £5
Tickets on the door are £7/£5 conc.

Wednesday

Glass Blowing with Elliot Walker

Today we’re going to be looking at the work of Elliot Walker, glass-blower and sculptor. Discovering some of the mysteries of glass-blowing, and getting a sneak-preview of some of the pieces Elliot has been working on ahead of our Spring Edition show!


How did you first get into glass blowing?

‘I started glass blowing about 4 and a half years ago, but in the beginning I wanted to learn glass casting, it appealed more to my temperament as glass blowing is usually quite an extroverted and collaborative activity, whereas I enjoy working by myself.’
‘However, once you start blowing glass it’s very addictive, and I got hooked very quickly!

For those of us who might not know, is there a way you could simply explain how glass blowing works?

‘It’s actually very simple to explain the basics, but there are so many subtleties and directions that you can choose to take during the process that once the basics are dealt with it can begin to seem incredibly complex to beginners.’
‘Essentially, glass becomes a very viscous liquid like honey when it is over 800 degrees C, and it can then be inflated from the inside. As the surface has some tension, it stretches and then solidifies into a bubble. This can then be reheated and inflated more. You can blow glass so thin that it will blow away in a light breeze, much thinner than a soap bubble; this is really great to see!’

What is it about working in the medium of glass that you particularly enjoy?

‘I only really enjoy the finished piece. The process itself is exciting and you get a real buzz from it, but it is also hot and uncomfortable, not to mention risky and expensive. I often think that if I could make my work sitting on a sofa or in a nice bright studio, or like a painter- I would, without a doubt!’

How does working in glass differ from other sculptural forms of expression?

‘It’s so different, from any other medium in that at first it’s quite hard to learn. For example, if I hand you a lump of clay and ask you to sculpt a dog say, you could probably have a stab at it and produce something similar. But If I gave you a gather of glass and ask the same of you, the glass would be a smoking puddle on the floor within 2 minutes. I can’t make dogs even now!’

‘But once your over that, it’s a great medium as it’s almost alive and your emotional mood can affect the outcome as much as your technique. If I'm angry when I start, or calm, the glass seems to pick up on this and reflects that back at me.’

What is the difference between Glass Sculpture and Art Glass?


‘Art Glass is a loose term that I really don't care for. It is basically glass that has been made to promote and emphasise the beauty of the material rather than made for any functional use. This mostly applies to blown glass vessels that have been coloured in various complicated ways. The majority of British studio glass would be classed as Art Glass by some. As to Glass Sculpture, it’s sculpture made from glass, and those making it would consider themselves sculptors first, and glass blowers second I expect.’

You talk of your work as having a conceptual or emotional focus, where do you draw these focuses from, in terms of your own work (as opposed to a commissioned piece) what inspires your creative processes?


‘I think that there is a split in my inspirations that is developing slowly as I produce more work. The first is to do with how subtle deformations of the body and its posture can affect me emotionally, in a similar way to watching contemporary dance. I've never been much interested in detail, more in sweeping gestures.  I'm also interested in how my emotions effect the sculpture I make, this is really not something that I focus on, but I always notice that my favourite pieces have been made when I am feeling a certain way.’

‘The other influence on my work is depictions of 'God' through the human form, this is currently developing in my work at a slow pace, but is always in the back of my mind and prominent in my research and drawings.’

Have you exhibited at Handmade in Britain before?


‘No, I don't exhibit at many shows, as I mainly sell through galleries. But I do enjoy talking to people about my work.’

Have you got any pieces that are being made especially for the event that we can hope to see?


‘Yes, I am making a winged figure for the show that will be a focal piece, as well as showcasing some of my favourite pieces I have made over the past year.’
 ‘Everything I will be exhibiting has been made in the past 8 months, and many are quite unusual pieces in the fact that they are one offs that have their own names.’

Are there any other exhibitors you are particularly looking forward to seeing at Spring Edition?


'I really like the current ceramics scene in Britain and so I'm sure there will be fantastic things for me to look at, if I can get someone to watch my stand for a bit!'

You can find out more about Elliots work at ewalkerglassart.co.ukand www.facebook.com/ewalkerglassart

All the featured designer-makers in our blog posts will be exhibiting at Handmade in Britain's up coming event at the Chelsea Old Town Hall. To find out more about the event, and book tickets head to: handmadeinbritain.co.uk




Tickets now on sale


Handmade in Britain 14:
Spring Edition
The Contemporary Crafts & Design Fair
9th - 11th May 2014
Chelsea Old Town Hall, London

Spring Edition is open:
Friday 9th: 11:00 - 19:00
Saturday 10th: 11:00 - 18:00
Sunday 11th: 11:00 - 18:00
Tickets are available online now at £5
Tickets on the door are £7/£5 conc.